This blog is about writing quickly, trying to get at least 2000 words a day. In this kind of writing, you say whatever comes into your head. It's almost stream-of-consciousness, although I try to write complete sentences. I'm using Dragon, a speech recognition software package I purchased about 4 years ago.It greatly cuts down on the need to type, since I type about 33 words per minute with 5 errors. So this was a welcome change from fingers constantly banging on the keyboard. There was just one hitch sometimes what my Dragon heard, and put on the screen was as far from what I'd said as the Earth is from the Sun. The Earth is in the "Goldilocks" orbit around the Sun, the perfect distance for life as we know it. But what my Dragon renders with my perfectly grammatical prose is not in the Goldilocks zone of what I meant. Is it my diction? My accent? I am without an accent of any kind. I learned to speak my native American Standard English in the town that radio and TV broadcasters go to to learn American Standard English. Minneapolis, MN carries the standard for our language. I do, however pepper my speech with words from the languages I've studied and picked up over the decades. For example: I've never studied French but can speak more of it than my SO Dallan, who studied it for at least 2 years in high school. He blames his teachers, but I think it's because he didn't practice it. I practiced my Spanish, most of the time on my poor long suffering English mother, since my classmates wouldn't speak it with me.
Writing like this, you don't do a lot of editing, unless like me with my pet Dragon, when what you say comes out, many times, as gobbledegook. The only pauses come when I'm less than inspired, and the words aren't flowing as they should be. I go back and edit it later,when I'm putting it together to submit to my publisher. I must say, her being a writer herself does give her a lot of clues as to the care, feeding and bruised ego massaging of writers/authors. Oh, yes, we have egos. Make no mistake. If we didn't, we'd keep all our stories in our desk drawers, and never seek publication; never seek to put ourselves out there.
Writing is something I wanted to do since I learned to read. Back then, it was relatively difficult to write, and almost impossible to get published. You needed an agent, and those agents charged money, a lot of it, to even read your work. I was up against the same adversary I have been up against all my working life: the curse of the beginner. Everyone wanted a sure thing. No one wanted to take a chance on a novice. At least I had access to a typewriter, and a supply of paper. My mother worked for the Northwestern Farm Management Co., and she brought home paper, on one side there was a much duplicated letter on the Northwestern Farm Management letterhead; but the other side was blank. I had writing fever, which I later would call a disease, an addiction. I didn't write because I wanted to, I wrote because I had to, it was a compulsion, related to the compulsion to arrange everything just so, wash one's hands obsessively, or compulsively clean; or, to kill. I was lucky though. I had no need to spend thousands of dollars I didn't have on weapons. I had a weapon my pen or typewriter and my mind. I could create characters, then kill them off. I could create characters based on those who tormented me, then my main character or heroine based on myself, of course, could kill the villains in poetically appropriate ways.
Time moved forward, as it always did, and so did technology. The PC was born, and I discovered the joy of the electronic word processor. But still I dreamt of a mechanism that could take my spoken words, and turn them into a story. The first Dragon was beyond my paltry means. But then I received a boon, in the shape of my dearly departed SO's insurance policy. My half paid for a new PC and the version of Dragon that was going out, because a new version was coming in. I didn't care. And the movie that was playing on TV as I was beginning to train my Dragon, and starting to play around with her (My toys and tools are always female. It's my protest against a world that was still too much run by men.) was Disney's How to Train Your Dragon. Both Stephen (who had received his Dragon a few days ahead of me) and I found this to be synchronicity. Stephen hesitated to use his, but I dove right in, and soon I was dictating like a pro. And so it's been ever since. Len has had to learn that when I'm talking, I'm not addressing him; I'm talking to my Dragon. This isn't an ad for it, but if you do get one, it'll be money well spent, if you use it as I have.
When I was 58, I got published. It was an ebook house called Silk's Vault, that published romances. I wrote some things for it, and some of them got published. The editor founded her own house, and I followed her there. Two more of my works were published there. One of them got published as a Young adult novel, and I got my first taste of fame when I was interviewed for internet radio. David Bowie's song "Fame" became my anthem. Then because of an illness she had, and fearing a flareup after caring for her old curmudgeon of a dad, she had to close down FireDrake's Weyr. I existed without a publisher for nearly 6 years, until in 2015 I was introduced by the same dear woman who had introduced me to my first publisher to the publisher I have now. And I have signed 6 contracts to get my works published, of whom one has already come out. I'm eagerly awaiting and soon, working on, the other 5.
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